As I have mentioned here before, my cousin Kirsten and I have for some time now been going to breakfast once a month, usually on a Tuesday morning when she is off and I don't go in to work until noon, and we have been trying out a different restaurant almost every time. Some have been great successes, and others have been forgettable. For my birthday breakfast today, I decided we would revisit one that I like better than she does, although I think today we were both happy with the result!
We went to Nicola's, an Italian restaurant in the West Valley, on Ventura Blvd. near DeSoto, in a little shopping complex called The French Quarter. I used to go there for dinner all the time, a few years (or a decade?) back, but we didn't discover until fairly recently that they serve breakfast. Today, we went with the intention to share our two breakfasts; both of us prefer savory over sweet, but doesn't everyone get an occasional yen for a pancake or a waffle or a sweet roll? Nicola's has a special treat: French toast. I'm not usually that much of a fan, but theirs is unusual—it comes covered in lemon curd, and with a wonderful French vanilla custard sauce on the side to make it even better. So we ordered an omelet with mozzarella, tomato, and pesto cream sauce, accompanied by red roasted potatoes, and also ordered the French toast, and then went halvesies on all. Breakfast and dessert, and a gourmet cup of coffee—perfection.
I wanted to go sketching afterwards, but I also had a few errands and some other projects for the day, so instead I took a photo of our breakfast spot and made a drawing/painting when I got home. Perhaps I will start a new series, called "Breakfast in the Valley," and document all the unusual or outstanding places we have been. Some of them will lend themselves to this more than others. This one certainly was fun, with its New Orleans-style façade and its variety of colors and textures.
Drawn in Micron pen #5, and then watercolored.
#inktober2017
04 October 2017
Urban sketching
Kirsten and I had breakfast at Corky's in Sherman Oaks last week, so I did this quick sketch of the counter while waiting for her to arrive. I had to finish it up fast, because she hates it when I sketch while she's in the room, so the coffee maker on the right is floating in mid-air instead of sitting on the counter. Oh, well. I liked the guitars and foliage on the guy's shirt.
Inktober sketches
Even though I didn't do these sketches specifically for Inktober, since I did them on the first two days of the month and since they were drawn in ink, I'm calling it good. #inktober2017
Here's a book I was reading; I figured that at some point I would review it for the library blog, so I decided to draw and paint the cover, to go with.
Here's a book I was reading; I figured that at some point I would review it for the library blog, so I decided to draw and paint the cover, to go with.
And here are two quickie sketches I made while sitting in on a teen storyboarding workshop at my library. It was put on by Cartoon Network, and they brought five artists (one for each table of five or six teens), so all I really had to do was sit in the room, just in case. So I sketched a couple of tables full of teens while I hung out. I've been trying to do more sketching of humans, because I'm pretty bad at it; you can see from the girls' table that that one girl's head is waaaay bigger than anybody else's, and they also end up with spindly legs and weirdly shaped arms. But I'm working on it.
20 August 2017
Saving Saturday
Saturday should be a day for sleeping late, reading your novel during your leisurely breakfast and morning cup of joe, catching up with your friends on Facebook, and perhaps assaying a few chores should you be feeling particularly ambitious (which I usually am not). Naps are not unheard of; TV show binges are definitely on the table. So imagine my lack of enthusiasm when my good friend and colleage Anarda bullied me (yes, positively wouldn't take no for an answer) into driving to Pasadena at 8:00 in the morning to attend a day-long seminar (8:30 to 4:00!) on CalPers, Social Security, and MediCal. I could hear the zzzzzzzzs coming from all of you as I typed that last sentence, so imagine my own sentiments!
Anarda claims to be concerned for my best interests; but I strongly suspect that she hoped this day of information about our non-working futures would result in me being "scared straight," as they phrase it when somebody goes to juvenile hall to frighten children back into good behavior. I've been talking for a while now about the possibility of retiring at the 10-year mark (which is fast approaching) from my current full-time position at Burbank Public Library and instead pursuing some part-time work, perhaps some freelance teaching, and definitely some illustration or painting work, once I have the time and energy to focus on all of those; and she doesn't want me to retire before she does (probably because she knows she'll be stuck with my job).
So I sallied forth to Pasadena—no, no, that sounds far too cheerful a phrase—I grumbled my way along the 134 to the Hilton on Los Robles—and sat through a CalPers presentation followed by a Social Security presentation, and I was done. As my mom used to say, D-U-N, DONE. I was also still confused about how the two work together, although I got some helpful information afterwards in the exhibit hall from a nice guy representing Social Security that makes me think all is provisionally well in Melissa's retirement future. So I told Anarda to take good notes at the MediCal seminar, and fled to the parking garage and freedom.
Driving home, I wondered if there was something I could salvage from this trip, just as I realized that the next turn-off would take me straight to my car dealership in Glendale; so I motored off the freeway at Brand and dropped off the car for an oil and brake fluid change, then strolled up the street to Foxy's for my favorite Santa Fe omelet.
Since I was now giddily free for the rest of the day, I took my time, starting a drawing before my breakfast arrived, reading the rest of my excellent John Scalzi novel during breakfast, and lingering afterwards over another cup of coffee while I completed the drawing. And then I painted it when I got home.
This is the counter at Foxy's. It's a bit messy, and a few significant details (like the legs of the woman on the right) are missing, but it was great fun to dwell on all the minutiae and decide whether or not to include each object that I saw (and there were SO many more). It definitely perked me up from the stultifying lectures of the morning hours, as did the Santa Fe omelet!
And then...I took a nap. So there, Anarda.
Anarda claims to be concerned for my best interests; but I strongly suspect that she hoped this day of information about our non-working futures would result in me being "scared straight," as they phrase it when somebody goes to juvenile hall to frighten children back into good behavior. I've been talking for a while now about the possibility of retiring at the 10-year mark (which is fast approaching) from my current full-time position at Burbank Public Library and instead pursuing some part-time work, perhaps some freelance teaching, and definitely some illustration or painting work, once I have the time and energy to focus on all of those; and she doesn't want me to retire before she does (probably because she knows she'll be stuck with my job).
So I sallied forth to Pasadena—no, no, that sounds far too cheerful a phrase—I grumbled my way along the 134 to the Hilton on Los Robles—and sat through a CalPers presentation followed by a Social Security presentation, and I was done. As my mom used to say, D-U-N, DONE. I was also still confused about how the two work together, although I got some helpful information afterwards in the exhibit hall from a nice guy representing Social Security that makes me think all is provisionally well in Melissa's retirement future. So I told Anarda to take good notes at the MediCal seminar, and fled to the parking garage and freedom.
Driving home, I wondered if there was something I could salvage from this trip, just as I realized that the next turn-off would take me straight to my car dealership in Glendale; so I motored off the freeway at Brand and dropped off the car for an oil and brake fluid change, then strolled up the street to Foxy's for my favorite Santa Fe omelet.
Since I was now giddily free for the rest of the day, I took my time, starting a drawing before my breakfast arrived, reading the rest of my excellent John Scalzi novel during breakfast, and lingering afterwards over another cup of coffee while I completed the drawing. And then I painted it when I got home.
This is the counter at Foxy's. It's a bit messy, and a few significant details (like the legs of the woman on the right) are missing, but it was great fun to dwell on all the minutiae and decide whether or not to include each object that I saw (and there were SO many more). It definitely perked me up from the stultifying lectures of the morning hours, as did the Santa Fe omelet!
And then...I took a nap. So there, Anarda.
Postcards
The Burbank postcards continue. Last week I decided to focus on a couple of the studios as inspiration, so I looked for iconic images. The first that occurred to me was the Warner Bros. tower--we actually have this image on one of the library card designs we offer at BPL, so that's a pretty constant reminder.
I went with a little looser style for this one, and was pretty happy with it, except that I fuffed the lettering in the band across the logo (started too far right, made letters too wide), so I just obscured them a bit with a darker shade of paint, and hopefully no one will look too closely.
Then I got a bit more ambitious. I have always been delighted by the pop-up of these ridiculous shapes within the perspective of a fairly traditional skyline of office towers; it certainly makes the purpose of the Disney Animation buildings known to their surrounding community!
This was a fun one, with the colors, angles, and scale. I probably should have put a few people in, but I decided not to push my luck.
This week, I did a quickie of a favorite restaurant with Burbankians. I made it more interesting for myself by focusing not just on the lettering but on the neon that lights up the lettering at night. It's a bit messy, but still recognizable to those who love their steaks and famous cheese bread.
I have a few more in mind...stay tuned.
I went with a little looser style for this one, and was pretty happy with it, except that I fuffed the lettering in the band across the logo (started too far right, made letters too wide), so I just obscured them a bit with a darker shade of paint, and hopefully no one will look too closely.
Then I got a bit more ambitious. I have always been delighted by the pop-up of these ridiculous shapes within the perspective of a fairly traditional skyline of office towers; it certainly makes the purpose of the Disney Animation buildings known to their surrounding community!
This was a fun one, with the colors, angles, and scale. I probably should have put a few people in, but I decided not to push my luck.
This week, I did a quickie of a favorite restaurant with Burbankians. I made it more interesting for myself by focusing not just on the lettering but on the neon that lights up the lettering at night. It's a bit messy, but still recognizable to those who love their steaks and famous cheese bread.
I have a few more in mind...stay tuned.
09 August 2017
More postcard art
More postcards of locales and artifacts of Burbank.
Here is the Metro station on Front Street,
with Burbank Water and Power towers in the background.
Circus Liquor...which may actually be in NoHo...
St. Leon's Armenian Cathedral, from a sort of aerial view...
and the Doughnut Hut sign..."What's missing? U!"
More to come...
01 August 2017
The art of work
For the past few years, especially since I injured one knee and the other one got angry at me for having to overcompensate for its shortcomings, I have pretty much lived in athletic shoes. Saucony and New Balance are my brands, because they come in wide widths. I have difficult feet. They are short, they are super wide, and the insteps are unusually high. That makes me hard to fit; and I need a specific kind of support for the knees as well.
So I have a pair of Sauconys in dark gray that will go with gray, black, and shades of blue, and I have a pair of white New Balance that will go with most everything else. I have felt the lack of something to go with shades of brown, and have been meaning to go find something, but shoe shopping in its current day incarnation is kind of a nightmare. If you don't want to spend a lot of money (and who does? unless you're in Italy), then you go to some warehouse place like DSW, where there are long aisles of waist-high shelves with shoes displayed on the top counters and various sizes of same residing in their boxes in the cubby holes below. You troll up and down the aisles, looking first for something in which you'd be willing to be caught dead. Once you find that shoe, however, you are constrained by whether the store has it in your size; and in my case, I am further stymied by whether that manufacturer makes a wide width and, further, whether this particular store carries it. Many a time I have spent two hours in one of these places and left with a token pair of socks. And when I have bought shoes, they are usually not exactly what I would have liked, but rather whatever would fit and not be too objectionable. At least, I consoled myself, they were cheap.
So, I've been getting along with my two pairs of running shoes until the Burbank City Manager, in his infinite wisdom, decided that city employees weren't dressing up to their full potential, and massively revamped the dress code. Most of it didn't affect me; I tend to wear dresses or skirts, and have many nice outfits that are perfectly adequate to a teen librarian's wardrobe. But the shoes...oh, the shoes. Suddenly we are not allowed to wear running shoes—that is, nothing with a discernible logo (strike one), and nothing with a weird color on the body or trim (strike two—my gray ones have a turquoise tongue and piping). While we are not required to change to anything as draconian as heels or pumps or even mary janes, the serviceable shoes we choose need to be in basic colors—black, gray, navy, brown, maybe a tasteful beige—and as inoffensive and anonymous as possible.
Time to go shoe shopping. I knew I wouldn't be finding what I needed at DSW, so I faced the fact that I was going to have to spend some serious cash to get some decent shoes. I headed to The Walking Company. And this is the point at which I started to bemoan the days of yore when shoe salesmen gave a shit. Seriously.
I walk into this place in an upscale mall in Sherman Oaks. There is one salesman on duty, and there are two women he is already in the midst of helping. He turns to me and says "What do you want." I say, "I'm going to need to buy a few pairs of shoes and I have some rather particular needs, so why don't you finish helping those ladies first." He stands there and stares at me. Then he says, "Okay, look around," and turns back to the other women.
When he finishes with them, he goes around the sales floor picking up all the shoes they had tried on and returns them to the back. He comes back out and I expect him to approach me, but instead he walks around the entire circumference of the room, tidying up all the displays. Finally, I walk over to him and say, "Can you help me now?" He replies, "Yes, what do you need." No smile, no indication that he is at all interested in the fact that I said I needed to buy a few pairs of shoes. I'm assuming (maybe I shouldn't?) that these sales people are on commission. The Walking Company sells pretty much two brands: Abeo, and Dansko. Both retail for somewhere between $99 and $149. So we're talking serious commission here, if he can simply bring himself to sell me some.
I say, "My employer has changed our dress code, so I need to buy some shoes that give me the support of a running shoe but without obvious logos and in subtle colors. I also have a high instep, and need a wide width, so I'm kind of hard to fit."
At this point, he cuts me off. "We don't carry wide widths. You have to order them online." And then he turns away!
I say to him, "I bought a pair of Abeo sandals here once, and they were wide." He replies, "Oh, yes, the sandals come in wide widths." Full stop. So I show him three pairs of shoes (one a sandal) in which I'm interested. "No, I don't have that one." "I have that in black, maybe. But no wide width. You can try a bigger size and see if it works." "No, I don't have that."
Finally, I say to him, "Have I offended you in some way?" He kind of laughs, and says, "No, why?" I reply, "Well, so far you have told me all the reasons why you can't help me, you haven't offered any solutions, you haven't asked me what size I wear or measured my feet..." He replies, "Size 9? I'll go get those shoes now" and goes in the back.
He brings them back, sets the box down next to me on the bench, and walks away to the counter. I pick up the box, open them up, lace them, try them on, discover they are not wide enough (naturally), and probably too short. I ask him, "Do you have these in the next size up? I think they're too short for me." "No," he says. "Do you think my toe is too far forward in these?" "I don't know." "Can you check?" He looks at me like I'm insane, and then leans down and stares at my foot. "Maybe."
The whole time all of this is going on, I'm thinking, These shoes retail for $100 up. I've had better service at DSW from the minimum wage teenagers they hire. What is this guy's problem?
I then ask him to write down the names, numbers, and sizes of the shoes I tried on that I liked but that didn't come in wide widths, so that I could go online and order them. He looks at me like I had asked him to sacrifice his first-born on the shoe-rack with a Brannock Device.
Just as I was about to leave the store, a new customer was entering. Another salesman had just come on duty, apparently back from his lunch break. As I passed the woman, I said, "Talk to HIM," and pointed at the other salesman. After all, he couldn't be worse...could he?
Oh for the good old days of Thom McAn.
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