I also, of course, used my leftover-paint background as a basis for the color palette. These paintings are a little pale and a little pink sometimes, but for this particular painting the colors seemed appropriate. I'm enjoying this sort of scrubby painting method I'm using on these.
I thought about breaking out some gold/gilt paint for the necklace, but decided it would take away from the otherwise extremely matte feel of this, so I stuck with paint. Naples Yellow is an extremely versatile color, working for blonde hair, gold jewelry, and some skin tones as well.
"Anaïs"—pencil, acrylic paints, and a little Stabilo All pencil in brown, on Fluid 140-lb. coldpress watercolor paper, 9x12 inches.
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