I did the background by rolling and then dribbling all the colors of the flowers into the background; I let it dry, then I did my drawing, and painted the flowers with ink while I did the vase in acrylics. The acrylics suit the slightly powdery glazed ceramic of the vase, while the ink goes better with the ephemeral nature of cut flowers. Or some such existential shit like that. If it has to be a practical failure, at least it can be a philosophical success, right? Ha ha ha!
"Zinnias in a vase"—Daler Rowney inks, pencil, Uniball pen, acrylics, Stabilo, on Fluid 140-lb. coldpress watercolor paper, 9x12 inches.
Lovely!
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