Today I decided to try something based on a painting made by one of our two our mentors in this challenge, Marc Taro Holmes. I loved the way he took this village and just painted in the pertinent details without getting precise about anything, and how it still looked like a village on hills.
Example by Marc Taro Holmes |
I had a reference photo lying around of a view of Santorini, in Greece, and thought perhaps I could pull off the same effect, since a majority of the buildings on that island are also white, with only windows and shadows to delineate.
It didn't quite come out as I had hoped. First of all, I did draw in some of the buildings, just to locate them properly in the scene, but once I had done that, I was faced with how I was filling up the interim spaces, and everything got too tight. Then, I quickly realized that there were actually a lot of colors in the buildings in this particular shot, so the absence of color thing didn't really work. There are little sections with which I am happy, and others that turned into a big mess, and I had trouble consistently with the direction of the light. So...a mostly wasted 90 minutes on an experiment I will try again when feeling more flexible!
Speaking of flexibility, the reason there have been no paintings on this blog for almost two weeks is that I threw out my back and have been suffering with it until I could get to the chiropractor for treatment. I have now been a couple of times, and about 75 percent of the pain is alleviated. I have more appointments this week, so I should be back in better shape soon.
Jackson watercolors on Fluid 140lb. paper.
Always a tricky scene. Did a lot of these ŵith Keiko and Eugen.....I'd love to go to Santorini. Sorry to hear about your back...ouch. Bx
ReplyDeleteIt looks kinda like a 10-year-old did it... I'd love to go there too! Back is getting better, thanks.
DeleteYes, Keiko and Eugen are masters at this. I still can't figure out how to "blur" my eye and get the essence without the details.
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